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Product details
File Size: 36670 KB
Print Length: 608 pages
Publisher: CRC Press; 1 edition (September 15, 2000)
Publication Date: September 15, 2000
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B00VT0EB64
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Amazon Best Sellers Rank:
#279,353 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
I am not a forensic artist, and I do not work in law enforcement, but I am a writer with an interest in various forensic science disciplines and the nexus between art & science. In particular, I am always interested in what makes someone "identifiable" -- how you *know* who someone is, how you recognize a person, what it means to identify or recognize someone & all the attendant cognitive issues. If you are at all interested in those kinds of questions, this book will knock your socks off and challenge you in ways you never imagined.It is also an incredible gift to witness Karen T. Taylor's methodical, exacting process step-by-step. Fifteen years ago, when I was writing an essay about a missing person case, I stumbled upon forensic facial reconstruction and thought, "This is what I am doing, too." Just as forensic artists sculpt from the architectural structure and anatomy of a skull, I was "sculpting" essays from the basic architecture of facts gleaned from research to bring this missing person to life. I had to be highly ethical and aware of where science/fact ended and creativity began. So when I found Karen T. Taylor's book, it became a sort of writing process bible for me, a way to imagine the nexus between science and art -- and it continues to apply to my work today, even if I am writing straight-up memoir. While teaching composition, I have even referenced this book to demonstrate to students how a methodical process works and why it unfolds in the order it does.In fact, ever since the first time I cracked open that spine, Karen T. Taylor has been a hero of mine. Not only does she know how to teach, but she is also extremely generous in sharing the secrets she has learned in her many years as a top forensic artist. She genuinely wants others to succeed in the field and help identify victims and criminals. There is absolutely no ego, which if you have spent much time in the arts, is a rare and amazing trait.The book gives you a solid foundation in the history of forensic art, the scientific basis for why forensic artists work as they do, facial anatomy, changes to the face after death, interviewing techniques for composite drawings, practical considerations such as tools and materials, and how to apply all of it to your work. Bonus: Karen T. Taylor happens to be a talented writer, too. The text is easy to read, even for non-forensic professionals, and it is loaded with illustrations.I have even purchased additional copies to give to friends in the visual arts, and they unanimously love it for how it has pushed them to greater understanding of faces. (I wasn't being generous. I simply can't bear to loan out my copy!)Finally, having taken her Forensic Facial Reconstruction-Sculpture course at the Forensic Anthropology Center at Texas State, I can assure you that Karen T. Taylor doesn't do anything halfway. She is not content to stick to techniques simply because she has always done them. She constantly strives to learn more about anatomy, more about tissue depth studies, and more about her art--a quality that shines through in this book as well, as she reveals how she learned from mistakes. During class, she was generous with her time and insight, and she is every bit as amazing as I had imagined, so if you love her book and feel like it has helped you hone your craft, take the workshop, too.
As a full-time instructor at the Art Institute of Phoenix, where I teach life drawing, character design, backgrounds design and similar classes, I often look for texts and information related to the subjects I teach. I picked up Forensic Art and Illustration recently, and have found it to be one of the best text purchases that I've ever made. Karen Taylor has accomplished in a single book what numerous authors have failed to do piecemeal over the past hundred years, and that is to assemble, in a single volume, in a highly readable and information-packed form, the best single description of the nature of forensic art available. Every kudo you read in these reviews is deserved. The book is well layed out, written in understandable English, with important information in bold type, a great device for reviewing salient points when going back to a chapter or two. The visuals are great, and deftly illustrate each point she is making. Her own reputation is of the highest order, and her talent and integrity stand out on every page. Having had the honor of meeting her and taking her forensic classes, I can attest that the book is a superb resource, both for the classes, and as a stand alone volume. You can't miss with this one. I highly recommend it, not just for those who think they will become forensic artists, but for all artists and laymen interested in the human form, anatomy and forensic information in general. The price, while moderately steep by general book standards, is average compared to most college textbook prices, and lower than many. Don't be put off by it. You will get every penny's worth.
This is the most comprehensive book in it's field and whether you are a professional in forensics or forensic art or are simply interested in the topic, Forensic Art and Illustration by Karen T. Taylor is a must read. Ms. Taylor gives a thorough and fascinating history of forensic art and helps the reader develop a meaningful understanding of forensic art's evolution and many uses. The author covers several types of forensic art including sculpture, composite, and postmortem. She includes case examples and clear instructions and often shows right and wrong examples of forensic art so that the reader can learn from successes as well as mistakes. If the reader is interested in becoming a forensic artist then this book is the foundation that is needed. I cannot recommend it highly enough.
Karen T. Taylor is an amazing pioneer in the forensic world, both in composites and sculpting. I bought her book to take with me to her Forensic Facial Sculpting class. I just finished the course and am even more excited to see the items in Karen's book that weren't covered in class. Plus, this is such a great reference tool, with valuable resources, including diagrams, charts, sketching education and so much more. Knowing I can learn from such an acclaimed forensic artist, and then have her book to reference for just about everything! Such a treasure for my job as a forensic artist!!
Excellent book for the introduction to forensic art and illustration even for the layman. As an artist (but not a student) I found it fascinating.
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